Painting, sculpture, architecture, photography and general art history related finds. Feel free to message me any questions, comments or suggestions.
Angelica Kauffmann, 1764, Penelope at her Loom
Penelope was the wife of Odysseus in Homer’s ‘The Odyssey.’ It takes Odysseus ten years to return to Ithaca after the Trojan War, and whilst he is away, Penelope is visited by many suitors, all vying to become her new husband. Even though Odysseus really does push his luck (ten years to get home?!), Penelope stays faithful and comes up with a clever strategy to delay the decision to marry again: she begins to weave a burial shroud for Laertes, the elderly father of Odysseus, stating that once the shroud is complete, she will choose a suitor to marry. However, though Penelope weaves in the day, she unravels her work by night, thus the cloak stays unfinished.
After her plan is discovered, Penelope announces that the man she chooses to wed will be the one who can shoot an arrow through twelve axes using Odysseus’s bow. She believes that the weapon can be mastered by no one, bar Odysseus, as it had once belonged to Eurytus, the grandson of Apollo. Meanwhile, Odysseus finally returns and hears of Penelope’s faithfulness. He decides to disguise himself and enter the contest set by Penelope, which he of course wins and then proceeds to kill all of the other suitors. A little bit dramatic, I’m sure you’ll agree. And they say chivalry is dead.

Angelica Kauffmann, 1764, Penelope at her Loom

Penelope was the wife of Odysseus in Homer’s ‘The Odyssey.’ It takes Odysseus ten years to return to Ithaca after the Trojan War, and whilst he is away, Penelope is visited by many suitors, all vying to become her new husband. Even though Odysseus really does push his luck (ten years to get home?!), Penelope stays faithful and comes up with a clever strategy to delay the decision to marry again: she begins to weave a burial shroud for Laertes, the elderly father of Odysseus, stating that once the shroud is complete, she will choose a suitor to marry. However, though Penelope weaves in the day, she unravels her work by night, thus the cloak stays unfinished.

After her plan is discovered, Penelope announces that the man she chooses to wed will be the one who can shoot an arrow through twelve axes using Odysseus’s bow. She believes that the weapon can be mastered by no one, bar Odysseus, as it had once belonged to Eurytus, the grandson of Apollo. Meanwhile, Odysseus finally returns and hears of Penelope’s faithfulness. He decides to disguise himself and enter the contest set by Penelope, which he of course wins and then proceeds to kill all of the other suitors. A little bit dramatic, I’m sure you’ll agree. And they say chivalry is dead.

A Turkish Woman by Angelica Kauffmann, 1773

A Turkish Woman by Angelica Kauffmann, 1773

Allegory of Painting, Architecture, Music and Sculpture by Angelica Kauffmann, n.d (top to bottom)

Self Portrait by Angelica Kauffmann, 1787

Self Portrait by Angelica Kauffmann, 1787

Portrait of a Woman as a Vestal Virgin by Angelica Kauffmann, 1770s. The Vestal Virgins were the priestesses of the Greek goddess Vesta, who represented the hearth and the home. In order to commit themselves to Vesta and their learnings, the Vestals took vows of abstinence. This neoclassical interpretation uses ‘the gaze’ to entice the viewer, as she ignores the painted soldier in the background who gestures in her direction. 

Portrait of a Woman as a Vestal Virgin by Angelica Kauffmann, 1770s. The Vestal Virgins were the priestesses of the Greek goddess Vesta, who represented the hearth and the home. In order to commit themselves to Vesta and their learnings, the Vestals took vows of abstinence. This neoclassical interpretation uses ‘the gaze’ to entice the viewer, as she ignores the painted soldier in the background who gestures in her direction.