Painting, sculpture, architecture, photography and general art history related finds. Feel free to message me any questions, comments or suggestions.

Canaletto, London: Interior of the Rotunda at Ranelagh, 1754
From the National Gallery: The inscription in Italian on the back of the original canvas states that the picture was painted in London in 1754 for the artist’s patron Thomas Hollis, and that the view was unique in the artist’s work. The Rotunda in Ranelagh Gardens, Chelsea, was erected as a public venue for various entertainments in 1741 and closed in 1803. Musical concerts were held and Mozart performed there in 1764.

Canaletto, London: Interior of the Rotunda at Ranelagh, 1754

From the National GalleryThe inscription in Italian on the back of the original canvas states that the picture was painted in London in 1754 for the artist’s patron Thomas Hollis, and that the view was unique in the artist’s work. The Rotunda in Ranelagh Gardens, Chelsea, was erected as a public venue for various entertainments in 1741 and closed in 1803. Musical concerts were held and Mozart performed there in 1764.

Canaletto, View of the Arch of Constantine with the Colosseum, 1742-45
Canaletto, 1754, St Paul’s Cathedral

ART TIMELINE: 1740

A Regatta on the Grand Canal by Canaletto, 1740: landscape art, Baroque

Captain Thomas Coram by William Hogarth, 1740: portraiture

The Triumph of Venus by Francois Boucher, 1740: Rococo

Rome: Ruins of the Forum, Looking Towards the Capitol by Canaletto, 1742. Rome is a fascinating place to study in terms of its changing appearance and how it has needed to work around the display and layout of the ancient ruins found across the city, (I have just completed a university module on this exact topic!) I believe the foreground structure is what is left of the Temple of Castor and Pollux, with the colonnade in the middle ground belonging to the Temple of Saturn. At the very end of the picture plane, creating the majority of the skyline shape, is the Palazzo Senatori. This building borders the south end of the Piazza del Campidoglio located at the summit of the Capitoline Hill, (the current appearance of the square is the design of Michelangelo). It is fair to say that some of the figures in this piece could be identified as tourists in the way they seem to admire the ruins as though they have never seen them before. This could therefore indicate that they may be part of the Grand Tour, which was a European excursion for the wealthiest men in Britain and Europe that involved a substantial amount of time studying the art and classical architecture of the city of Rome.

Rome: Ruins of the Forum, Looking Towards the Capitol by Canaletto, 1742. Rome is a fascinating place to study in terms of its changing appearance and how it has needed to work around the display and layout of the ancient ruins found across the city, (I have just completed a university module on this exact topic!) I believe the foreground structure is what is left of the Temple of Castor and Pollux, with the colonnade in the middle ground belonging to the Temple of Saturn. At the very end of the picture plane, creating the majority of the skyline shape, is the Palazzo Senatori. This building borders the south end of the Piazza del Campidoglio located at the summit of the Capitoline Hill, (the current appearance of the square is the design of Michelangelo). It is fair to say that some of the figures in this piece could be identified as tourists in the way they seem to admire the ruins as though they have never seen them before. This could therefore indicate that they may be part of the Grand Tour, which was a European excursion for the wealthiest men in Britain and Europe that involved a substantial amount of time studying the art and classical architecture of the city of Rome.

ART TIMELINE … 1730

The Grand Canal and the Church of the Salute by Canaletto: Baroque, landscape art

Mademoiselle de Camargo Dancing by Nicolas Lancret: Baroque

Juno Receiving the Head of Argos by Jacopo Amigoni, 1730-35: Baroque, Rococo

ARTIST OF THE WEEK: Canaletto

1697 - 1768

Canaletto was a Venetian painter working in the 18th century. I always end up placing Canaletto with the High-Renaissance artists, but this period was over in Italy and Europe had moved onto Baroque, a more ornate, glamorous and explosive style. Canaletto painted a vast amount of works when he visited England during the Grand Tour, a traditionally upper-class trip around Europe for both study and leisure, where he also sold many of his paintings to English gentlemen.

London, Seen Through the Arch of Westminster Bridge 1746-47

These are two of Canaletto’s pieces depicting London. The piece above is my favourite Canaletto; I love the frame of Westminster Bridge and the glorious yet intimate view of London it brings. The rotunda at Ranelagh, an area of public gardens located in Chelsea, was demolished in 1805. Canaletto captures the impressive interior and the many visitors admiring the rows of arches and columns.

I always find it fascinating to see how foreign painters depict landscapes and architecture of Britain and for me, Canaletto does a pretty good job of making 18th century Britain look accomplished and inspiring. He is also from Venice, one of my all-time favourite cities, and this is why he is my Artist of the Week. Enjoy!

London, Ranelagh, Interior of the Rotunda 1754

The Grand Canal and the Church of the Salute by Canaletto, 1730.