Painting, sculpture, architecture, photography and general art history related finds. Feel free to message me any questions, comments or suggestions.
Caspar David Friedrich, 1827, Early Snow

Caspar David Friedrich, 1827, Early Snow

Samuel Colman, n.d, The Temple of Flora

Samuel Colman, n.d, The Temple of Flora

Anthony Gross, 1944, Gateway into Germany: The Maas in Flood near the Berg Bridge

Anthony Gross, 1944, Gateway into Germany: The Maas in Flood near the Berg Bridge

Arthur Lismer, n.d, Isles of Spruce

Arthur Lismer, n.d, Isles of Spruce

David Bomberg, 1932, Trees Towards Glencoe

David Bomberg, 1932, Trees Towards Glencoe

Pierre-Auguste Renoir, 1881, Champ de bananiers

Pierre-Auguste Renoir, 1881, Champ de bananiers

Thomas Gainsborough, n.d, View of Dedham
Dedham in Essex is usually associated with John Constable, as Dedham Vale on the Essex/Suffolk border is the area surrounding his home and is commonly referred to as ‘Constable Country’. Here is some extra information on the two neighbouring artists at Suffolk Tourist Guide.

Thomas Gainsborough, n.d, View of Dedham

Dedham in Essex is usually associated with John Constable, as Dedham Vale on the Essex/Suffolk border is the area surrounding his home and is commonly referred to as ‘Constable Country’. Here is some extra information on the two neighbouring artists at Suffolk Tourist Guide.

Albert Bierstadt, n.d, California Sunset

Albert Bierstadt, n.d, California Sunset

Emily Carr, 1939, Odds and Ends

Emily Carr, 1939, Odds and Ends

Paul Gauguin, 1887, Martinique Landscape

Paul Gauguin, 1887, Martinique Landscape

Louis Valtat, 1906, Woman with a Guitar

Louis Valtat, 1906, Woman with a Guitar

Danila Vassilieff, 1937, Woronora Landscape

Danila Vassilieff, 1937, Woronora Landscape

Bright Land by Arthur Lismer, 1938
I love how the separate forms of this landscape merge and swirl together to create an intricate, dynamic composition, despite keeping their distinct shapes through dark outlines. To illustrate distance, the shadows become lighter the deeper into the painting you go.

Bright Land by Arthur Lismer, 1938

I love how the separate forms of this landscape merge and swirl together to create an intricate, dynamic composition, despite keeping their distinct shapes through dark outlines. To illustrate distance, the shadows become lighter the deeper into the painting you go.

HAPPY BIRTHDAY! Henri Rousseau

21st May 1844

Exotic Landscape 1908

German Forest by Sigmar Polke, 1993

German Forest by Sigmar Polke, 1993